Stacy’s Mom 167

Stacy’s Mom 167, by Fountains of Wayne from the album Welcome Interstate Managers

Stacy’s mom has got it goin on
Stacy’s mom has got it goin on
You know I’m not the little boy that I used to be
I’m all grown-up now baby can’t you see
Stacy’s mom has got it goin on
She’s all I want, and I’ve waited for so long
Stacy can’t you see, you’re just not the girl for me
I know it might be wrong but I’m in love with Stacy’s mom.

Image courtesy of Wikimedia Commons
Click here to hear full track
Click here for full song lyrics & meanings

My art project, 365 Blisspop, where I create a year’s worth [yep, 365] of digital collages, with indie songs as my subject

Still not sure about the order of my pieces in this web blog, I thought alternating between current pieces and older ones might be a good way to go. We will see. So I thought posting Stacy’s Mom before a current piece, borrowing from the main source, would be appropriate. It would and could show a possibly evolving process of my work, or just lazily ripping myself off. Maybe a little of both.

This was an early collage piece, playing with halftones and Photoshop actions, in which I am still an amateur at, but will continue to dabble in.

Taboo 385

Taboo 385, based on the FX TV series Taboo. It stars Tom Hardy, and is produced by Tom Hardy and Ridley Scott.

Tom Hardy photo by FameFlynetUK/FAMEFLYNET PICTURES
Courtesy of Tom Lorenzo
Original ship art and words by Internet Archive Book Images
For intense but tasty trailers 1 & 2

My latest art project EntertainMe, where I create another year’s worth of digital collages, based on indie rock and visual media. See this piece and more on deviant Art.

When trailers and then each episode for the FX series, Taboo, blasted onto the big box I was hooked. With the association of Ridley Scott, Scott Free Productions, and this mysterious brit fellow Tom Hardy, I knew I would be a follower. Sordid, dark, dank, ridley-esque, cinematic and forbidden (the title hints to that), it would include in aces all these elements that drew me and like-minded viewers in.

I wanted to capture this enigmatic figure with the victorian cloak and tall hat, but was having a hard search. I proceeded to create this lush, multicolored background with existing patterns, then saturating the heck outta the colors. When I found a workable image of the dark man, the piece was almost there. I dropped in the last bit, an old, black ship illustration I recently used on another collage piece. Taboo, a dark, but delightfully different piece for me.